{
  "source": "Cooked Index — occupational AI risk register",
  "page": "https://cookedindex.com/jobs/artists-and-related-workers-all-other/",
  "methodology": "https://cookedindex.com/methodology",
  "notice": "Verdicts are re-examined as evidence accumulates. Re-fetch before relying on this; the page above always carries the current score.",
  "scored_at": "2026-08-11",
  "model": "claude-opus-5",
  "occupation": {
    "title": "Artists and Related Workers, All Other",
    "soc_code": "27-1019",
    "category": "Media",
    "us_employment": 6930,
    "median_annual_wage": 71240
  },
  "verdict": "EXPOSED",
  "risk_resistance": 37,
  "contested": false,
  "near_boundary": false,
  "dimensions": {
    "task_resistance": 8,
    "embodiment": 9,
    "liability_shield": 1,
    "trust_premium": 10,
    "judgment_accountability": 9
  },
  "reasoning": {
    "task_resistance": "Concept boards, style frames, character variants, and reference-driven sketch passes — the bread-and-butter billable hours in this bucket — are now produced in minutes by prompt-and-iterate tools, which is what pulls this to 8; the physical build-out of a mural, a site-specific installation, or a hand-drawn courtroom sketch under a no-cameras order still can't be prompted, which keeps it out of the 0-6 floor.",
    "embodiment": "A muralist on a lift working a wall in weather, or an installation artist rigging into a gallery ceiling, is genuinely uncontrolled-environment labour — but a large share of this SOC works digitally at a tablet delivering files, so the 9 is the average of two very different working days rather than a description of either.",
    "liability_shield": "There is no licence, board, or statutory registration to make art in the United States; a commissioning contract and maybe a scaffolding permit are the only formal gates, so nothing stands between your rate and a client who decides a model output is good enough.",
    "trust_premium": "Commissions come through curators, art directors, and repeat clients who chose you off a body of work and want your hand specifically, which is real relationship value — but most engagements are project-scoped and end on delivery rather than becoming an ongoing advisory tie, so this sits at 10 rather than in the teens.",
    "judgment_accountability": "You make real interpretive calls — how to read a brief, what a site can carry, how far to push a client's uncomfortable idea — but the stakes are aesthetic and reputational, not safety or money-at-risk, and a rejected concept means a revision round, which is why this lands at 9 and not higher."
  },
  "rationale": "This is a residual catch-all — muralists, installation artists, storyboard and concept people, sketch artists, and other creators who don't fit the fine-artist, illustrator, or designer buckets. Generative image models have already absorbed the bulk of speculative concept work, mood boards, style variations, and reference-driven visual output that used to be paid hours. What survives is work with a physical result in a real space, a commissioning relationship where the buyer wants that specific person's hand, and projects where authorship and provenance are the point.",
  "outlook": "By 2035 the flat-image portion of this work is largely absorbed by generative tools, and the remaining paid roles cluster around physical fabrication, site-specific commissions, and named-authorship projects.",
  "what_would_raise_it": {
    "levers": [
      {
        "dimension": "trust_premium",
        "change": "Human-authorship certification becoming a contract requirement: the Animation Guild (TAG) 2024 MOA language on GenAI, SAG-style 'human-created' credit clauses, and gallery/biennial submission rules requiring declared no-AI provenance. If commissioning bodies (public art percent-for-art programs, museum acquisition committees) add enforceable human-authorship attestations, buyers are explicitly paying for the person's hand.",
        "plausibility": "already happening",
        "would_add": 4
      },
      {
        "dimension": "embodiment",
        "change": "Task-mix shift toward physically sited work — murals, installation fabrication, scenic and set painting, live sketch — as flat digital deliverables get absorbed. Also municipal mural programs and site-specific commissions that require on-wall execution, scaffolding, surface prep and community presence.",
        "plausibility": "already happening",
        "would_add": 4
      },
      {
        "dimension": "task_resistance",
        "change": "Genuine two-tier structure: the routine tier (mood boards, style variations, reference comps, speculative concept passes) is being automated, leaving negotiation with a client about meaning, site constraints, materials, and iteration in physical media. As the routine tier disappears from paid hours, the remaining measured job is the judgment tier.",
        "plausibility": "already happening",
        "would_add": 3
      },
      {
        "dimension": "judgment_accountability",
        "change": "Provenance and clearance ownership: if platforms and clients adopt C2PA/Content Credentials and the US Copyright Office's human-authorship registration standard hardens (post-Thaler), the named artist becomes the party attesting the work is registrable and non-infringing — a consequential call under ambiguity with commercial exposure.",
        "plausibility": "plausible",
        "would_add": 3
      },
      {
        "dimension": "liability_shield",
        "change": "Not a licensed occupation and no board is plausibly forming. The closest real mechanism is indemnity in commission contracts and public-art safety permitting (engineer sign-off for large installations) — but that liability sits with the engineer or contractor, not the artist.",
        "plausibility": "unlikely",
        "would_add": 1
      }
    ],
    "ceiling_note": "This is a residual SOC bucket, so scores average across muralists (embodied, defensible) and storyboard/concept workers (already largely displaced). No licensure route exists, which caps the total well below craft-with-a-board occupations; realistic ceiling is in the low 50s, driven almost entirely by physical siting and named-authorship demand rather than by any legal moat."
  },
  "adjudication": null,
  "employment_history": {
    "points": [
      {
        "y": 2017,
        "emp": 7010,
        "wage": 63540
      },
      {
        "y": 2018,
        "emp": 6620,
        "wage": 65390
      },
      {
        "y": 2019,
        "emp": 7550,
        "wage": 64490
      },
      {
        "y": 2020,
        "emp": 7220,
        "wage": 65800
      },
      {
        "y": 2021,
        "emp": 7390,
        "wage": 61580
      },
      {
        "y": 2022,
        "emp": 7510,
        "wage": 69760
      },
      {
        "y": 2023,
        "emp": 7420,
        "wage": 74750
      },
      {
        "y": 2024,
        "emp": 7370,
        "wage": 72760
      },
      {
        "y": 2025,
        "emp": 6930,
        "wage": 71240
      }
    ],
    "from": 2017,
    "to": 2025,
    "change_pct": -1.1,
    "comparable_from": 2019,
    "spans_soc_revision": true
  },
  "pivots": [],
  "license": "https://cookedindex.com/terms"
}